A bag on a white sweep tells a buyer everything except the two things they actually want to know: how big is it, and how does it sit on a person. That is the job an on-model shot does, and the only job it does. Upload the product photo you shot on your table and get a model presenting it — carrying it, wearing it, or holding it up to the camera — at the size you tell us it really is.
Three product families, each with its own rendering rules — because a watch dial and a sneaker outsole are not judged on the same things.
Silhouette and how the shape holds, strap and handle configuration, hardware in its exact metal finish, and the front face turned square to the camera. Bags also get the carry-style control below.
Placed where the product actually sits on the body: a watch dial facing camera and legible, a buckle centred at the front, a scarf's print scale and border reading properly, sunglasses clear of the hair.
Heel height and shape, toe shape, upper material, strap and buckle configuration, panel colour-blocking, midsole and outsole — and every logo kept in its exact position.
A standalone dupatta listing runs through this same pipeline, which is why its chip appears in both the garment and the accessory row of the app — either one sends it here.
A tote and a sling shot against the same white background at the same crop look like the same bag. A statement necklace on a bust looks nothing like the same necklace at the collarbone. A pair of heels shot flat gives no sense of how high the heel actually sits. Scale, proportion and context are exactly what an on-model shot supplies and exactly what a flat product shot cannot.
Brands solve this by shooting accessories twice: a clean product shot for the main listing image, and an on-model shot in the supporting slots that answers the size question before it turns into a return. The catch has always been cost — booking a model for a fifteen-piece bag drop is hard to justify, so most sellers skip the on-model images and absorb the returns instead.
This removes the shoot from that equation. You photograph the product on a table the way you already do, and the on-model version is generated from it.
One selector at the top of the upload step switches the type list from garments to the fifteen accessory types. Pick the type, upload one clear photo of the product.
Five body-relative size anchors, and for bags four carry styles. Both exist because a catalogue photo cannot express either — and a guess at them is what makes an accessory render look wrong.
The same model catalogue, poses, backgrounds and export presets as garments. Nothing downstream is a separate product; only the instructions given to the renderer change.
This is a different job from putting a kurti on a model, and it is treated as one rather than bolted onto the garment path.
The garment instructions are built around a person wearing the product, which is the wrong sentence for a handbag five separate times over. Accessories run on their own base template, their own per-type rules and their own product-view set.
Five anchors — mini, small, medium, large, oversized — described against the body rather than in centimetres, because body-relative scale is what an image model can reason about. The anchor is worded for the product: a bag is measured against the hand and forearm, a necklace against the throat and collarbone, a frame against the width of the face, a shoe against the depth of its own sole.
In hand, on shoulder, crossbody, or held up to camera — and the choice overrides whatever carry your reference photo implies. Wallets are excluded, having no strap for "on shoulder" to mean anything.
Footwear is forced to a full-body frame because any crop above the ankle removes the product. Bags, belts, watches and wallets settle at waist-up. Sunglasses and jewellery are pushed to a close-up, where they are more than a handful of pixels.
Plain and muted is the default, because a loud outfit really does compete with a wallet or a watch. But nobody sells a bridal necklace on a model in a grey tee, so festive, bridal, party, smart formal and everyday casual are all one tap away — or keep the outfit the model is already wearing. Whichever you pick, the product stays the hero and the outfit is kept clear of the part of the body it sits on.
Quality checks run against accessory criteria — hardware finish, material behaviour, plausible size on the body, the product not hidden by hands or hair — instead of garment criteria like neckline, sleeves and drape, which would fail correct shots and pass wrong ones.
Clasps, buckles, zips, chains, studs and logo plates are reproduced in the metal finish they have in your reference. Hardware that is gold stays gold; it does not become silver because silver was more convenient to render. No logo, monogram or charm is invented, and none is removed.
Patent leather stays glossy with sharp highlights, suede and nubuck stay matte with a velvety nap and no specular shine, pebbled leather keeps its raised grain, canvas and jute keep a legible weave, and beads, sequins and mirror work catch light as separate points rather than as a flat printed texture. A matte material is never turned glossy, or the reverse.
A bag shown zipped or clasped stays closed. One shown open stays open, with the same visible interior lining. A closed product is not opened to show an interior that your reference never photographed.
Hang tags, price stickers, barcode labels, dust bags, tissue stuffing, clips, stands, hangers and packaging are all excluded from the output. Removing them before you shoot still gives a cleaner reference, but they will not survive into the image either way.
Exactly one of the product is rendered. No second bag, no extra piece of jewellery, no accessory that was not in your reference — and no duplicate of the product elsewhere in the frame.
Accessories are not a demo corner of the app. They run through every production path a garment does: single shots, bulk runs of up to 20 products against one model, and the e-commerce pack that produces a full listing set from one upload. Outputs keep the filename you uploaded them under, so a twenty-SKU bag drop comes back already matched to your SKUs rather than as image-1.jpg through image-20.jpg.
The brand-consistency controls apply too. Save a model once and every bag in the drop is presented by the same person; save your own backdrop and the whole set is shot against your store wall; reference a pose and the stance holds across the catalogue. Those three are Pro and above — custom models, custom backgrounds and pose reference — and they treat an accessory exactly like a garment.
A practical way to use the carry styles: generate two or three of the same bag and put them in different listing slots. In hand or held up for the hero image, on shoulder or crossbody for the shot that answers how big it really is.
| Free & Starter | Pro | Business and above | |
|---|---|---|---|
| All fifteen accessory types | Yes | Yes | Yes |
| Size anchoring and carry style | Yes | Yes | Yes |
| Credits per shot | 1 at HD, 2 at 2K | 1 at HD, 2 at 2K | 1 at HD, 2 at 2K, 4 at 4K |
| 4K output | — | — | Yes |
| Bulk runs, up to 20 per run | Yes | Yes | Yes |
| Saved models, backgrounds and poses | — | Yes | Yes |
Monthly allowances are 15 credits on Starter (₹299/mo), 55 on Pro (₹849/mo), 250 on Business (₹3,000/mo) and 850 on Agency (₹10,000/mo). A new account gets 5 credits on signup with no card. Full detail on the pricing page.
Fifteen product types in three families. Bags and small leather goods: handbag, clutch, tote, sling or crossbody, backpack and wallet. Worn accessories: belt, scarf or stole, dupatta, sunglasses, watch and jewellery. Footwear: heels, flats and sneakers. Each type carries its own rendering rules, because a watch dial and a sneaker outsole are not judged on the same things.
No. An accessory shot is billed exactly like a garment try-on: one credit at HD, two at 2K and four at 4K. HD and 2K are available on every plan; 4K output is on the Business plan and above.
Neither. Accessories are on every plan including free, with no separate gate and no surcharge. A new account gets 5 credits on signup with no card, and they can be spent on a handbag just as readily as on a kurti.
Because the garment instructions are written around a person wearing the product, which is the wrong sentence for a handbag. An accessory is presented by the model — carried, worn or held up to the camera — so it runs on its own base instructions, its own per-type rules, its own product-view set and its own quality reviewer.
You tell it. A catalogue photo carries no scale at all — a clutch and a tote shot on the same white sweep are indistinguishable — so the size control offers five anchors: mini, small, medium, large and oversized. They are described against the body rather than in centimetres, because body-relative scale is what an image model can actually reason about, and the wording is specific to the product: a bag is measured against the hand and forearm, a necklace against the throat and collarbone, a sunglass frame against the width of the face, a shoe against the depth of its own sole.
Yes, for bags. Four carry styles: in hand, on shoulder, crossbody, and held up to camera. The choice overrides whatever carry your reference photo implies. Wallets are the one exception — they have no strap, so "on shoulder" would be a meaningless option for them.
Not unless you want it to. Plain, solid, understated clothing in a muted tone is the default, and the accessory quality reviewer fails a shot where the model's clothing copies the product's fabric, print or pattern. You can also pick festive, bridal, party, smart formal or everyday casual, or keep the outfit the model is already wearing, and whichever you choose the outfit is instructed to stay clear of the part of the body your product sits on.
Yes. Accessories work in bulk runs of up to 20 products against one model, and in the e-commerce pack, exactly as garments do. Every output keeps the filename you uploaded it under, so a twenty-SKU bag drop comes back already matched to your SKUs.
No, it is corrected for you. Footwear is forced to a full-body frame, because any crop above the ankle removes the product entirely. Bags, belts, watches and wallets settle at waist-up. Sunglasses and jewellery are pushed to a close-up, because at full body a pair of earrings is a handful of pixels and none of the product reads.
Start free with 5 credits. No card, and no separate plan for accessories.